Rosa Barba

1972, Sicily (Italy)
Lives and works in Berlin.

EDUCATION / RESIDENCIES

2017 – Headlands Center for the Arts, San Francisco
– Denniston Hill, Glen Wild

2014/2015 – Experimental Media and Performing Arts Center EMPAC in Troy, Upstate New York

2014 – Artpace, San Antonio, Texas, USA

2013 – 2018 – PHD Studies in fine arts at Malmö Art Academy. Supervisor: Sarat Maharaj.

2013 – Chinati Foundation, Marfa, Texas, USA.

2008 – Dia Art Center, New York, USA.

2008/2007 – ASPIS, International Artists Studio Program, Stockholm, Sweden.

2007 – Museumsquartier, Vienna, Austria.
– Villa Aurora, Pacific Palisades, Los Angeles, USA.

2006 – Production in Residence, Baltic Art Center, Visby, Sweden.

2003/2004 – Two Year Residency Programme, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands.

2001/2002 – c3-Institute, Budapest, Hungary.

1995/00 – Academy of Media Arts, Cologne, Germany

1993/95 – Theatre and film studies in Erlangen, Germany

SOLO EXHIBITIONS (SELECTION)

2020
– Turn and Wind, Parra & Romero, Madrid, Spain

2019
– ARTER, Istanbul
– Rosa Barba, Armory Park Avenue, New York City
– Rosa Barba, CCA Kitakyushu, Kitakyushu

2018
– The Street. Where the World is Made, MAXXI, Rome, Italy
– Rosa Barba, Kunsthalle Bremen, Germany
-Rosa Barba. Drawn by the Pulse, Tabakalera, San Sebastián, Spain
– Send Me Sky, Remai Modern, Saskatoon, Canada
– History as Sculpture, Kunsthalle Bremen, Germany

2017 – Museo Nacional Centro de Arte Reina Sofia, Madrid, curated by Manuel Borja-Villel.
– Spacelegnth Thought, Vienna, Austria
– From Source to Poem to Rhythm to Reader, Pirelli HangarBicocca, Milan, Italy
– Elements of Conduct. Malmö Konsthall, Sweden.
– Hangar Biccoca, Milan, curated by Roberta Tenconi.

2016 – The Color Out of Space NBK, Berlin, Germany, curated by Kathrin Becker
– From Source to Poem CAPC musée d’art contemporain de Bordeaux, France, curated by María Inés Rodríguez
– Rosa Barba – Blind Volumes, Schirn Kunsthalle, Frankfurt
– Thoughts of Sorts, Parra & Romero Gallery, Madrid
– Sunday Sessions. Rosa Barba, White Museum- Live, MoMA PS1, Long Island (USA)
– Modern Mondays: An Evening with Rosa Barba, MoMA, New York City (USA)

2015 – spaces for species (and pieces), Albertinum, Dresden, Germany
– The Color Out of the Space, MIT List Visual Arts Center, Boston, USA
– Point Centre for Contemporary Art, Nicosia, Cyprus
– Rosa Barba – Inside a Magnified Picture, Meyer Riegger, Berlin
– Rosa Barba – The Color Out of Space, EMPAC, Rensselaer Polytechnic Institute, Troy, USA

2014 – Performativity of Presence, Hotel de Inmigrantes, Buenos Aires, Argentina, curated by José Carlos Mariategui
– Rosa Barba with Lenor Antunes, Daniel Roth, Ettore Spalletti, Vistamare, Pescara, Italy
– Rosa Barba. A Fictional Library – Live, Center of Contemporary Art, Vilnius, Lithuania, curated by Juan de Nieves
– Rosa Barba. The Mute Veracity of Matter II, MAXXI, Museo Nazionale delle Arti del XXI secolo, Rome, Italy
– Rosa Barba. New Works, Artpace, San Antonio, Texas, USA

2013- A Home For a Unique Individual,Musac, Museo de Arte Contemporáneo de Castilla y León, Spain, curated by Juan de Nieves
– Cornerhouse, Manchester, UK, curated by Henriette Huldisch
– Turner Contemporary, Margate, Uk, curated by Lauren Wright
– Time as perspective, Bergen Kunsthall, Norway, curated by Solveig Ovstebo
– The Mute Veracity of Matter, Gió Marconi, Milan

2012- Time as Perspective, Kunsthaus Zürich, Switzerland, curated by Mirjam Varadinis
– Back Door Exposure, Jeu de Paume, France, curated by Filipa Oliveira
– A Private Tableaux and Printed Cinema, Marfa Book Co, Marfa Texas, USA
– Museum of Contemporary Art, St. Louis, USA, curated by Kelly Shindler
– Arter, Istanbul, Turkey, curated by Basak Senova
– October Salon, Kulturni Center, Belgrade, Serbia

2011- Stage Archive, Fondazione Galleria Civica – Center of Research on Contemporary Art, trento Italy
– Stage Archive, MART d’Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy, curated by Chiara Parisi Viliani
– carlier | gebauer, Berlin, Germany
– Kunstverein Braunschweig, Braunschweig, Germany, curated by Hilke Wagner
– Somnium, XL, New Orleans, International Filmfestival Rotterdam, Netherlands
– Rosa Barba /David Maljkovic, la Pedrera, Barcelona, Spain, curated by Cristina Cámara

2010 – Rosa Barba, TATE Modern Level 2, London, United Kingdom, curated by Ben Borthwick
– A Curated Conference, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (curation by the artist)
– Is it a two-dimensional analogy or a metaphor?, Centre International D’Art et du Paysage de l’ile de Vassiviere, France,
curated by Chiara Parisi and Andrea Viliani
– Rosa Barba, Center of Contemporary Arts, Tel Aviv, Israel, curated by Sergio Edelsztein

2009 – Western Round Table, carlier | gebauer, Berlin, Germany
– Stating the Real Sublime, Gió Marconi, Milan, Italy

2008- Outwardly, carlier | gebauer, Berlin, Germany
– Vertiginous Mapping, a web project, Dia Art Foundation, New York, USA (http://awp.diaart.org/barba/)
– Villa Romana, Florence, Italy, curated by Angelika Stepken
– Handed Over (with David Maljkovic), Bakery, Annet Gelink Gallery, Amsterdam, Netherlands
– Esbama, École des Beaux-Arts, Montpellier, France
– Outwardly, Bildmuseet Umeå, Sweden, curated by Jan-Erik Lundström
– Handed Over (with David Maljkovic), Project Art Center, Dublin, Ireland, curated by Tessa Giblin
– Western Round Table, Gallery Patricia Dorfmann, Paris, France, curated by Romain Torri

2007 52nd Venice Biennale, Italy, Slovenian Pavilion, filmprogram, curated by Francesco Manacorda
– Heterotopias, 1st Thessaloniki Biennale of Contemporary Art, Greece, curated by Jan-Erik Lundström
– 12th Biennial of Moving Images, Geneva, Switzerland
– Loop, Centro Cultural Valentina, Barcelona, Spain
– Project Arts Centre, Dublin, Ireland, curated by Tessa Giblin
– Turtle Saloon, Slade Woburn Studios, London, United Kingdom, curated by Michael Shamberg
– Nederclips, Stedelijk Museum, Hertogenbosch, Netherlands, curated by Bart Rutten
– Dissecting the ear, Sign Gallery, Groningen, Netherlands, curated by Bojan Faifric Editions,
– Jahresgaben Ausstellung der Atelierstipendiaten, Kölnischer Kunstverein, Cologne, Germany

2006 Last Lives in the Universe, Smart Project Space, Amsterdam, The Netherlands,
– curated by Tessa Giblin and Chiara Sartori
– Revisie, Centraal Museum, Utrecht, Netherlands
– No Picture, Swiss Institute, New York, USA, curated by Gianni Motti
– Almost Cinema, Kunstcentrum Vooruit, Ghent, Belgium

2005 Gravity in Art, de Appel arts centre, Amsterdam, curated by Theo Thegelaers
– Image and Sound, Senef Filmfestival, Seoul, Corea
– Horror, Science Fiction and Porn, Art Gallery of York University, Toronto, Canada, curated by Philip Monk
– Murmur, Tent – Centrum Beeldende Kunst, Rotterdam, The Netherlands, curated by Edwin Carels

2004 – Buckle and Jitter, Argos, Brussels, Belgium, curated by Paul Willemsen Gorschlüter
– Pole Position, Mannheimer Kunstverein, Germany
– FEEL the Old FEEL the New, Z33, Hasselt, Belgium, curated by Edwin Carels and Pieter Van Bogaert
– The Ex, Palais des Beaux Arts, Brussels, Belgium
– Club Transmediale 04, Club Maria, Berlin, Germany
– Duo Track, Nederlands Cultuurhuis, Brussels, Belgium, curated by Paul Willemsen Travelling without moving, W139,
Amsterdam, Netherlands, curated by Ann Demeester
– Born To Be A Star, Künstlerhaus, Vienna, Austria, curated by Ursula Probst.

2003 -Compilation1 with Jeanne Faust and Jennifer Nelson, Kunsthalle Düsseldorf, Germany, curated by Ulrike Groos and
Peter Gorschlüter

2002 -Sala d’arte Contemporaneo, Lima, Peru, curated by Jose-Carlos Mariategui
– Pirate Spaces, c/o Peter Gorschlüter, Gallery Meyer-Riegger, Karlsruhe, Germany

2001 -Navigator, Ancient Gallery, Cinematexas, Austin, USA
– Flightmachine, Kunstverein Medienturm, Graz, Austria, curated by Sandro Droschl
– Counter-Motion, c3-Gallery, Budapest, Hungary

2000 -Artothek, Cologne, Germany
– Moltkerei Werkstatt, Cologne, Germany

GROUP EXHIBITIONS (SELECTION)

2019 – Setouchi Triennale 2019, Takamatsu, Japan

2018 – The Moon. From Inner Worlds to Outer Space. Louisiana Museum of Modern Art, Humlebæk, Denmark
– Raqs Media Collective. In the Open or in Stealth. MACBA Barcelona.

2016 -Sublime. Les tremblements du monde, Centre Pompidou Metz, France
– Incerteza Viva, 32nd Bienal De São Paulo, Brasil
– Celluloid: Rosa Barba – Tacita Dean – João Maria Gusmão & Pedro Paiva –
Luis Recoder & Sandra Gibson, Eye Film Museum, Amsterdam

2015 – All the World’s Futures, 56th International Art Exhibition, La Biennale di Venezia, Central Pavilion, Giardini, Venice, Italy
– “Checkpoint California” 20 Jahre Villa Aurora, DB Kunsthalle, Berlin, Germany
– The Coming Museum, Fundação Eugénio de Almeida, Évora, Portugal
-I’ll Be There Forever. The Sense of Classic, Palazzo Cusani, Milan, Italy
– Poetic Minimalism – Bernd Lohaus et. al., Salon Dahlmann, Berlin
– Landschaft in Bewegung – Filmische Ausblicke auf ein unbestimmtes Morgen, Kunsthaus Graz, Austria
– “Verdingte Wahrscheinlichkeit“, Ingrid Wiener & Rosa Barba, Galerie Charim, Vienna, Austria
– Hong Kong Art Centre – ifva Media Art Exhibition, Cinema 2.0: Hard Cinema, Hong Kong

2014 – Playtime, Cornerhouse, Manchester
– Up Close and Personal, De Hallen Haarlem, The Netherlands
– In the mouth of the wolf! Die! Die!, House of Cyprus, Athens, Greece
– Pier 54, High Line, New York, USA
– Islands off the Shore of Asia, Para Site, Spring, Hong Kong
– thingworld: International Triennial of New Media Art 2014, NAMOC, Beijing, China
– 8th Berlin Biennale for Contemporary Art, Germany
– Le musée imaginaire d’Henri Langlois, La Cinémathèque Française, Paris, France
– Words as Doors – in Language, Art, Film, Künstlerhaus – Halle für Kunst & Medien (KM), Graz, Austria
– You Imagine What You Desire, 19th Biennale of Sydney, Sydney, Australia
– The Text: First Notions and Findings – II. Escapes. Fiction as Rigor, Fabra i Coats Art Center, Barcelona, Spain
– 1st International Biennial of Contemporary Art of Cartagena de Indias, Colombia
– Lens-based Sculpture, Akademie der Künste, Berlin and Kunstmuseum Liechtenstein, Vaduz, FL
– The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA, USA

2013 – Iskele2/ The Unanswered Question, Neuer Berliner Kunstverein (NBK), Berlin, curated by Rene Block
– Des Mondes Possibles (Possible Worlds), Frac Franche-Comté, Besançon, France
– Die gestundete Zeit, Sies + Höke, Düsseldorf
– Bundeskunstsammlung, Ankäufe 2009-2011, Museum Bonn, Germany
– Film as Sculpture, Wiels, Bruxelles, curated by Elena Filipovic
– Langages entre le dire et le Faire, Centre Calouste Gulbenkian, Paris, France

2012- Telling everything, not knowing how: After the Death of Felix Gonzalez-Torres, CA2M, Madrid, Spain, curated by Joao Ribas
– Man in the Holocene, MIT List Visual Arts Center, Cambridge, USA
– Field Experiences, Centre International d’Art & du Paysage de Vassivère, France
– Pink Caviar, New works in the Collection 2009-2011, Louisiana Museum of Modern Art, Humlebaek, Denmark
– Macro, Museum, Rome, Italy
– A Trip to the Moon. Before and After Film, Bonniers Konsthall, Stockholm, Sweden, curated by Sara Arrhenius
– The Poster Show, carlier | gebauer, Berlin
– Made in Germany 2, Sprengel Museum, Hannover, Germany
– Never Odd or Even, Museum for Contemporary Art, Roskilde, Denmark
– Collezione Acacia, Palazzo Reale, Milan, Italy
– Du monde clos à l’univers infini, Centre d’Art Contemporain de Quimper, France
– Unfinished Journeys, Museum of Contemporary Art, Oslo, Norway
– Vistamare, Benedetta Spalletti, Pescara, Italy
– A Doll’s House, Isola Art Center, Milan, Italy
– Cuidad Moderna, Le Silo, Inha, Paris
– Man and Machine, Botkyrka Konsthall, Botkyrka, Sweden
– Regarding Marisa Merz, Maxxi Museo nazionale delle Arti del XXI secolo, Rome, Italy

2011 -Never Odd or Even, Grimmuseum, Berlin, curated by Solveig Øvstebø
– VideoCriacao, Rio de Janeiro, Brasil, curated by Julieta Roitman
– Alles Gute, Museum Schloss Moyland, Bedburg-Hau, Germany
– Les Marques Aveugles, Centre d’Art Contemporain, Genève, Switzerland
– Surviving the future, Murmansk Art Museum, Russia, curated by Jan-Erik Lundström
– El Mapa: Cartografías críticas – MAMM – Museo de Arte Moderno Medellin, Colombia
– Segalega, Zero, Milan, Italy
– Staging Documentary, Lothringer 13, Munich, Germany
– Magical Consciousness, Arnolfini Art Centre, Bristol, United Kingdom, curated by Nav Haq and Runa Islam
– Terminal Convention, Cork Airport, Cork, Ireland, curated by Peter Gorschlüter
– H-Box, MUDAM, Musee d’Art Moderne Grand-Duc Jean, Mudam Luxembourg
– H-Box, Artsonje Center, Seoul, Corea

2010 -SI, Magasin, Grenoble, France, curated by Yves Aupetitallot
– Camera, Light, Action, ABC, Berlin, Germany, curated by Marc Glöde
– Premio Italia, Maxxi Museo nazionale delle darti del XXI secolo, Rome, Italy
– Transatlantische Impulse, Akademie der Künste, Berlin, Germany, curated by Markus Richter
– Quando si parte, Assab One, Milano, Italy, curated by Gaia Fugazzi
– La scultura Italiana del xxi secolo, Fondazione Pomodoro, Milano, Italy
– The Moon is an Arrant Thief, David Roberts Foundation, London, curated by Thom O’Nions,
Luiza Teixeira de Freitas and Oliver Martínez-Kandt
– Faux Amis, vidéothèque éphémère, Jeu de Paume, Paris, France, curated by Marta Ponsa
– Behind the curtain, Gio Marconi Gallery, Milan, Italy
– Autokino, Temporäre Kunsthalle, Berlin, Germany, curated by Phil Collins
– H-Box (touring), New Museum, New York, USA, curated by Benjamin Weil
– H-Box (touring) Fondation d’entreprise Hermès, Paris, France H-Box (touring), Fondazione Beyeler, Basel, Switzerland
– H-Box (touring), Laboratorio de Arte Alameda, Mexico City
– 21/21, 21 artists for the 21st century, Fondazione Sandretto Rebaudengo, Torino, Italy, curated by Francesco Bonami
– And nothing turned itself inside out, Galeria Miroslav Kraljevic, Zagreb, Croatia
– Biennale Cuvée, Ok Center for Contemporary Arts, Linz, Austria
– Terra Infirma, ICSP New York, USA curated by Chiara Sartori
– A Generation, Petah-Tikva Museum of Art, Israel, curatd by Avi Feldman
– Rethinking Location, Sprüth Magers Gallery, Berlin, Germany, curated by Johannes Fricke Waldthausen
– From The Liberty Square to Independent Square, Fokus Lodz Biennale, Lodz, Poland
– Nam June Paik Award, Museum Kunst-Palast, Düsseldorf
– Touched, Liverpool Biennale, United Kingdom, curated by Lorenzo Fusi
– Octobersaloon, Belgrade, Serbia, curated by Johan Pousette and Celia Prado

2009 – Making Worlds, Palazzo delle Eposizione, 53rd Venice Biennale, Italy, curated by Daniel Birnbaum
– Ecstatic Resistance, X-initiative, New York, USA, curated by Emily Roysdon
– And Then Nothing Turned Itself Inside Out, WUK Kunsthalle
– Exnergasse, Vienna, Austria, curated by Antonia Majaca and Ivana Bago
– The Boundary Layer, The Prairie Art Gallery, Alberta, Canada, curated by Catherine Dean
– New Acquisitions, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, curated by Dr. Rosario Pérez
– Museo Riso, Palazzo Sambucco, Palermo, Italy
– Art at the Centre of a responsible transformation of society, Collezione FRAC Piemonte,
Vercelli, Italy, Fondazione Pistoletto, Biella, Italy
– Film as a subversive Art, Lux at Zoo, London, United Kingdom, curated by Mike Sperlinger
– Eppur si muove (And yet it moves), Fondatione Re Rebaudengo,
– Fondazione Eduardo Garrone, Palazzo Ducale, Genua, Italy
– Italics, Italian Art between Tradition and Revolution, 1968-2008, MCA Chicago, USA, curated by Francesco Bonami
– A Despot in Flora’s Garden, Preston Gallery, New York, USA, curated by Jasper Sharp
– What a Wonderful World, Göteborg Biennial, Sweden, curated by Celia Prado and Johan Pousette
– Life Forms, Bonniers Konsthall, Stockholm, Sweden, curated by Sara Arrhenius
– Solaris, Galleria Gió Marconi, Milan, Italy, curated by Cecilia Alemani
– Just in the Dark, Mercati di Traiano, Museo dei Fori Imperiali, Rome, Italy, curated by Andrea Viliani
– Images Festival, Harbourfront Gallery, Toronto, curated by Pablo Ocampa
– Drifting Histories, CCS Bard, Hessel Museum, New York, USA, curated by Anais Lellouche
– Six Tuesdays After Film as a Critical Practice, The Lux 28, London, United Kingdom, curated by Ian Whit

2008 – Rooms look back and Inserts with Ursula Mayer and Margret Salmon, Kunsthalle Basel,
Switzerland, curated by Simone Neuenschwande and Annette Amberg
– 50 Moons of Saturn, Torino Triennale, Italy, curated by Daniel Birnbaum
– Video Report Italia 2006/2007, Galleria Comunale d’arte Contemporanea, Monfalcone, Italy,
curated by Andrea Bruciati
– Degrees of Remove: Landscape and Affect, Sculpture Center, Long Island and Anthology Film
Archive, New York, USA, curated by Sarina Basta and Andrew Lampert
– Italics, Italian Art between Tradition and Revolution, 1968-2008, Palazzo Grassi, Venice, Italy
and MCA Chicago, USA, curated by Francesco Bonami
– Map-Navigating the Present, Bildmuseet, Umea, Sweden, curated by Brita Talje and Jan-Erik Lundström
– Visible Cinema, Center of Contemporary Arts, Glasgow, Scotland, curated by Isla Leaver-Yap
– We want to thank the curators, Seventeen Gallery, London, United Kingdom, curated by Vincent Honoré
– Soft Cell – dinamiche dello spazio in Italia, Galleria Comunale d’Arte Contempoaranea,
Monfalcone, Italy, curated by Andrea Bruciati
– Abstract of Syn, Arge, Kunstmuseum Bolzano, Italy

2007 – A Molecular History of Everything, Center for Contemporary Art, Melbourne, Australia, curated by Juliana Engberg
– Doku/Fiction, Kunsthalle Düsseldorf, Germany, curated by Mouse on Mars and Peter

2003 – Streams of Encounter, Museum of Fine Arts, Taipei, Taiwan

2002 – Ex Teresa Arte Actual, Mexico City, Mexico, curated by Guillermo Santamarina
– Vision, Muescarnok/Kunsthalle, Budapest, curated by Miklos Peternak

2001 – Köln-Kunst 6, Josef-Haubricht Kunsthalle, Cologne, Germany
– See you Hear, Akademie der Künste, Berlin, Germany, curated by Siegfried Zielinski
Kunstraum Fuhrwerkswaage, Cologne, Germany

2000 – Media Model, Muescarnok/Kunsthalle, Budapest, Hungary
– Wie man sieht, Museum Ludwig, Cologne, Germany, curated by Siegfried Zielinski
– Insensatezza, Fondazione Teseco, Pisa, Italy, curated by Luca Cerizza

1999 – Copy and Paste, Kunstraum Innsbruck, Austria
– Masterclass, Montevideo, Amsterdam, Netherlands

AWARDS / COMMISIONS

2016 – Prix International d’Art Contemporain- PIAC, Fondation Prince Pierre de Monacor

2012 – Premio ACACIA, Milan, Italy, Award Winner

2010 – Nam June Paik Award, Museum Kunst-Palast, Düsseldorf, Germany, Award Winner
– Premio Italia Arte Contemporanea, Maxxi Museum, Rome, Italy; Award Nominee
– International Film Festival, Rotterdam, Netherlands, nominated for Tiger Short Award

2008 – Webproject for the DIA Art Foundation, New York, USA

2007 – Prix du Centre pour l’image contemporaine, Genève (12th Biennale of moving Image), Switzerland, Award Winner
– Project Grant Atelier, Kölnischer Kunstverein, Germany
– HAP-Grieshaber Preis, Kunstfonds, Bonn, Germany, Award Winner

2006 – Artist Book Award for Printed Cinema, Ontario Association of Art Galleries, Canada
– Kunstpreis Berlin, Akademie der Bildenden Künste, Berlin, Germany, Sponsorship Award
– International Film Festival, Rotterdam, Netherlands, nominated for Tiger Short Award

2005- Hartware Grant, NRW, Germany
– Installation Award, Images Festival, Toronto, Canada
– Kunstiftung NRW, Germany, Projectfund for Printed Cinema

2004- Netherlands Filmfonds
– Special Award, Split Filmfestival, Croatia
– Rijksakademie van Beeldende Kunsten, ‘Acquisitions Prize’, Amsterdam, Netherlands

2003- Grant of the Kunststiftung Baden Württemberg, Germany
– DAAD-Grant, Germany
– Uriot Award, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands, Award Winner

2002- Chargesheimer Foto-Film-Video, Price, Cologne, Germany, Award Winner

2001- Musicvideo Price, International Shortfilmfestival, Oberhausen, Germany
– Hermann Claasen Förderpreis, Köln, Germany, Award Winner

PUBLIC COLLECTIONS

– Collezione MAXXI, Rome, Italy
– Collezione FRAC Piemonte, Vercelli, Italy
– Fonds Régional d’Art Contemporain (FRAC) de Franche – Compté, Besancon, France
– Fondazione Prada, Italy
– Fundación Tantica, Buones Aires, Argentina
– Fondazione Giuliani, Rome, Italy
– Galleria civica d’arte moderna e contemporanea (GAM), Turin, Italy
– Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
– André Iten Collection, Genèva, Switzerland
– Kunsthaus Zürich, Switzerland
– Lemaítre Collection, London, United Kingdom
– Louisiana Museum of Modern Art, Humlebæk, Denmark
– Louis Vuitton Foundation, Paris, France
– Mart – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Art Collection
– UniCredit, Rovereto, Italy
– Macba, Museum of Contemporary Art, Barcelona, Spain
– Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
– MUSAC, Museo d’Arte Contemporaneo, Castilla y Léon, Spain
– Nomas Foundation, Rome, Italy
– Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Germany
– Vehbi Koc Fondation, Istanbul, Turkey
– Jumex Collection, Mexico City, Mexico