1977 Born in London.
Lives and works in London
2001 MFA, Slade School of Art, University College, London
1999 BA, Fine Art, Honors, Ruskin School of Art, Oxford
1996 Foundation, Chelsea School of Art, London
BIBLIOGRAPHY
2008 Interview by Roberto Lambarelli, Structure is a common thread,
Arte e
Critica, September/November 2008
2008 Thomas Persson, Lismore Castle Revisited,
Acne Paper, Issue 7, Winter 08/09
2008 Fresh set of eyes,
Time Out, 23 – 29 October 2009
2008 London Artists Directory,
Flash Art, October 2008
2008 Louisa Adam, “Axiom”,
Bing, 20 September 2008
2008 The Eye,
Art World, August/September 2008
2008 Sam Thorne, A Life of Their Own,
Frieze.com, 16 July 2008
2008 Richard Cork, Top Forms,
RA Magazine, Summer 2008
2008 Richard Cork, Expect the Unexpected
Financial Times, 26/27 April 2008
2008 Jan Dalley, Artistic Impressions,
Financial Times, Spring 2008
2008 Jessica Lack, Conrad Shawcross: Machine Man,
Art World, February / March 2008
2007 Emily Candela, Conrad Shawcross,
The Independent, 23 October 2007
2007 Jan Dalley, Warming to the Frieze Effect,
Financial Times, 13 October 2007
2007 Ossian Ward, Have I got new for you?,
Time Out, 26 September – 2 October 2007
2007 Andrea Bellini, Shifting Paradigms: A Conversation with Conrad Shawcross,
Scultpure, July / August 2007
2007 Ann Lee, Artist appeals for the return of his Soulcatcher,
Hackney Gazette &
North London Advertiser, 29 March
2007
2007 Oliver Duff, Steals onwheels: Shawcross loses Capri,
The Independent, 23
March 2007
2007 Valentine Low, Sculptor in Search of a lost Soul,
Evening Standard, 13 April
2007
2007 Francesca Martin; Stephanie Theobald, State of the Art, Harper’s Bazaar,
April 2007
2007 Tom Morton, Conrad Shawcross,
Frieze, March 2007
2007 Sally O’Reilly, Riflemaker Becomes Indica,
Frieze, March 2007
2007 Ana Finel Honigman, Conrad Shawcross at Victoria Miro,
Art in America, February 2007
2007 Andrew Wilson, Yesterday, Today , Tomorrow,
Art Monthly, 2007, no. 2
2006 Martin Herbert, Riflemaker becomes Indica,
Time Out, 29 November- 6 December
2006
2006 Rachel Campbell-Johnston, They all wanted to change the world,
The Times, 12
November 2006
2006 Charles Darwent, The Grooviest Gallery,
The Independent on Sunday, 26
November
2006 Eloise Napier, Something like a phenomenon,
Harper’s Bazaar, November 2006
2006 Rebecca Rushmer, Living Sculptures,
Professional Engineering, 8 November 2007
2006 Scott Reyburn, Four years old and fully grown up- the phenomenon that is
Frieze,
Antiques Trade Gazette, 28 Oct 2006
2006 Conrad Shawcross, Dazed and Confused, October 2006
2006 Peter Chapman, Pick of the week: Conrad Shawcross,
Independent, 28 October
2006
2006
Time Out, Helen Sumpter, Conrad Shawcross, 25 October 2006
2006 Hannah Duguid, Metaphysical machines and double sums,
Independent, 16 October
2006
The Art Newspaper/Frieze Art Fair Daily, Conrad Shawcross: Light
Entertainment, 14-15 October 2006
2006
V & A Magazine, Mental Freefall without a parachute, Winter 2006
2006 Harriet Lane, The Art of Invention,
Vogue, November 2006
2006 Julian Kiverstein, Where in the World do Art & Science Meet?,
Map, Issue 5,
Spring 2006
2006 S.N.O.W Sculpture in Non-Objective Way, Galleria Tucci Russo, Torre Pellice,
Turin
2005 Oliver Basciano, Life in 3-D,
Wonderland, Issue 2, December 2005 / January
2006
2005 Alistair Sooke, In the Studio,
Daily Telegraph, 29 November 2005
2005 Tim Adams, Portrait of the artist as a young boffin,
Observer, 27 November
2005
2005 Jessica Cheney, Conrad Shawcross,
London Magazine, August / September 2005
2005 S.N.O.W Sculpture in Non-Objective Way, Andrea Bellini, Galleria Tucci Russo,
Torre Pellice, Turin, 2005
2005 Sally O’Reilly, Conrad Shawcross,
The Guardian, 3 September 2005
2005 Conrad Shawcross: The Steady States exhibition catalogue, texts by Jenny
Uglow and Andrea Bellini. New Art Gallery,
Walsall and the Walker Art Gallery, Liverpool
2005 Delphine Velloire, L’homme machine,
Jalouse, February
2005 Michael Glover, Like a circle in a spiral,
The Independent Review, 25 January
2005 Fisun Guner, Deep Sea Monster,
Metro Life, 5 January
2004 Mary Horlock, Greenwich ideal for time sensitive sculpture,
Financial Times,
28 December
2004 John Russel Taylor, Looking for the deus in machina, The Times, 22 December
2004 Rose Jennings, Time and Motion Studies,
The Observer, 19 December
2004 Nick Hackworth, Striking out into the vast unknown,
Evening Standard. 17
December
2004 Nick Hackworth. ‘Batteries Not Included’,
Dazed & Confused, Vol. 2 Issue #10,
p. 106-9
2004 Adeline Iziren. ‘What Happened Next?’
The Guardian (Rise Section), 17 January
p. 1-2
2003 Martin Herbert. ‘Best of 2003,’
Artforum, December 2003, p.134
2003 Jane Campbell. ‘50 Best Tips for Investing in Art’
The Independent 25 - 31
October, 2003, p. 7
2003 Colin Gleadell.
The Telegraph magazine, 29th March, p. 46 – 53.
2003 Jane Neal.
Contemporary, Issue 49, p. 90
2003 Martin Herbert.
Frieze, April Issue, p. 101.
2003 Simon Morrissey.
Art Monthly, March
2003 Richard Dorment.
Daily Telegraph, 5 February.
2003 Jorn Ebner. Frankfurter Allgemeine Zeitung, 1 February.
2003 Martin Coomer.
Time Out (London), 29 January - 5 February.
2003 Nick Hackworth. ‘Designs upon the nature of time’.
Evening Standard, 21
January.
2003 Florence Hallet.
What’s On, 15–22 January.
2003 Louisa Buck.
The Art Newspaper, January.
2003 Sophie Léris. ‘Artist Profile’.
Art Review, January.
2002 Geoff Nicholson. ‘Soul-Searching in a Ford capri’.
Modern Painters, Winter.
2001 Niru Ratnam. The
Face, May.
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